What Makes A Good Movie

What Makes A Good Movie - Revisited!

So, when I first posted this blog entry, my mom and I had been talking, a lot, about what makes a good movie:

Is it good acting? More on this later.
Good writing?
Interesting characters?
Nice sets?
Good lighting?
A well written score?
Great directing?
Good editing? (And pacing)

Is it the "bits and pieces" or is it the whole darn thing? (The "sum of the parts", as it were).

For me, a good movie must be 'good' on the whole, otherwise we're talking about a particularly good element. If the movie is crap but the acting is great, then the movie had good acting, but isn't a 'good movie.' And I'm certainly not saying that I can't enjoy a movie that has 'good elements' - I just won't call it a 'good movie.'
The two biggest sticking points for me are usually story and acting, although I've also found that effects and production value are pretty close to the top of the list as well.

Story

A good story goes a really long way. But what makes a story "good"?
There's a ton of theory on what every story needs to work (and I know I've written a bit about this before). Typically, all stories "must" (and I'm throwing that in quotes because there's always an exception to every rule!) go through this arc (in order to "work"):

Stasis
Trigger
The Quest
Surprise
Critical Choice
Climax
Reversal
Resolution

So - assuming you have all that jazz covered in your story, it should be "good."

Or so you would think.

When I worked at the video store, I plowed through tons of 'chick flicks' and the stories are total formula; Textbook examples of the traditional story arc.

But the details are just bullshit; They are contrite and contrived and inane and predictable and not at all believable. They are fairy tales (which have their place, granted!)
These stories are 'touching' and 'heart-felt' and 'sentimental' and 'life-affirming' and totally un-real; The knight in shining armor, the happy ending, true love, people who get everything they ever wanted... bullshit. Total fantasy.

Despite the fact that I expect 'un-realistic' from, horror, fantasy, and sci-fi - and despite the fact that 'chick flicks' are 'fantasy' - I just can't cut them any slack. I think it's because they are fantasy masquerading as reality and the majority of people watching them are too stupid to know the difference.

So you toss in some unique twists, a couple of compelling characters, and hey! It's a winner, right?

Nope.

Even the greatest, most artfully crafted story in the world can be ruined by crappy acting or terrible direction or low production value.

So, that brings us to the topic of acting.

Acting

Clearly, the success of a movie is heavily dependent on the acting ability of the cast. Regardless of what anyone may try to tell you, crappy acting can absolutely ruin a movie; if the audience doesn't "believe in" the characters, they can't become invested in the movie and thus lose focus and stop caring.

I've been thinking a lot about "good acting" VS "bad acting" and how one can really tell the two apart. Here's my working theory so far:

People use "body language" as something like 55% of communication (with tone making up another 38% and 7% in actual content) so gauging the quality of an actor (or actress) is a simple as turing the sound off on whatever you're watching. If you can turn off the sound and still "get" what's happening, they're pretty good at their job.

A really, really fun way to experiment with this is by watching a foreign movie without subtitles. I'd love to tell you about my experiences in college with this game but, they involve illicit drug use and aren't fit for polite company.

Anyway. Wrap up time.

As I started with, for me, a movie needs to be good in all areas to be considered good overall. This post brought to you by: my desire to rant about something nonsensical for a few moments.

Enjoy!

The Witch (2015)

You know the drill - there's ALWAYS spoilers. Don't want the movie ruined for you, come back after you've seen it. Also - I'm still without an editor - typos and bad grammar await you! I keep hoping that the cultural obsession with zombies will end; literally every other damn movie that comes 'round seems to feature some sort of shambling, undead being bent on devouring the weak flesh of regular humans. Once upon a time, zombies have have been used as a metaphor for the blind consumerism created by our capitalist society, or the perceived depletion of resources by immigrants, or even the ravages of time and disease on our frail bodies. Now it seems that the deeper social commentary has been lost as audiences mindlessly consume "zombie fiction" in an attempt to keep up with trends. ( How very meta - a film buddy of mine commented on this assessment! ) All of this is just a sideways rant, leading up to my actual point: it seems that zombie may actually...

Mother!

Alright friends and readers–this one is probably doubly filled with typos and grammar errors because I wrote it while angry. Good luck and happy reading. There are unpopular opinions in every realm. As a film student, you can truly strike a nerve when you say things like, "I fucking hate the self-indulgence of independent films and the way people idolize them." Or, you know, "Low lighting and slow pacing does not a good movie make." Or whatever. You can of course, objectively, understand how this happens. When you are creating art–when you are outside the system so to speak–you are free to explore things (subjects, techniques, etc.) that may need to be addressed and that freedom can become intoxicating and go to one's head. While it may seem only right or only fair to respect and accept each creative endeavor that every artist undertakes, it is unreasonable to believe that the world will remain forever patient with the self-obsession artists have. Th...

The Babadook

Spoilers and typos! Enjoy. We often look back nostalgically on childhood, envious of the joy we felt and the boundless imaginations we possessed. How conveniently we forget the other side of that coin: as children, we experience a depth of terror our adult selves continually try to recreate for cathartic entertainment. When we try to bring those childhood fears to life on the screen, we often end up with movies about "things that go bump in the night," which is a somewhat superficial approach. While it does provide an opportunity for a supernatural experience, it ignores the root of our fear: the unknown . As children, we lack life experience. We lack nuance. We lack understanding. Not knowing creates in us fear. Yes, we fear what lurks in the darkness but we also fear the adult world because we do not understand how it works. The Babadook works to exploit both those fears. The short story: a widowed mother of a young boy experiences a mental breakdown and tries to...

i'm kael's ghost

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