Skip to main content

Ambitious but Rubbish: Silent House

The usual warning - there are spoilers ahead.

I keep running across horror movies where the "monster" is actually some sort of apparition or "shadow" or lingering energy or "bad vibe" created by some sort of domestic violence in the protagonist's past. For the most part, it's some form of molestation.

(An American Haunting, Absentia, Silent House, and another one that I'm honestly drawing a blank on because I watch so many terrible movies! To that end, I wish I could sort my "recently watched" by "genre" on my Netflix; seeing the cover of a crappy movie often jogs my piss-poor memory!)

Moving on!

I'm not about to try and tell you that I think groping little kids is okay or anything, but I will tell you that I'm already tired of this metaphor.

I mean, all these movies start with trailers / synopsis that claim to be something they are not; they look like haunted house movies or possession movies but turn out to be something less interesting. Typically the "fake out" is the same as in High Tension (your hero is actually your killer).

If there is no monster and no ghost and no demon, you had best really surprise me with your reveal.  Unfortunately for Silent House, it was TOO obvious that there was nothing in the house with main characters; the female lead, Elizabeth Olsen continued to have "close encounters" with the supposed villain / entity / killer yet nothing hurt or captured her.

The only momentary mystery was if she is the killer or if she's in it with someone else (her creepy "uncle" perhaps?)

You're probably wondering why I even bothered watching this one and I'll tell you, I was truly intrigued by their claim that they shot the movie in real-time and in one take.

Now. I'm not stupid (and Chris Kentis is no Hitchcock) so I knew that they didn't really shoot the movie in one take. But how amazing would that have been if they had?! And, I grudgingly admit that they did a fair job of faking it.

Wrap up time.
I honestly can't even dig up enough effort to write anything else about this movie.

You can watch the Silent House trailer here:

Comments

Popular posts from this blog

The Witch (2015)

You know the drill - there's ALWAYS spoilers. Don't want the movie ruined for you, come back after you've seen it. Also - I'm still without an editor - typos and bad grammar await you! I keep hoping that the cultural obsession with zombies will end; literally every other damn movie that comes 'round seems to feature some sort of shambling, undead being bent on devouring the weak flesh of regular humans. Once upon a time, zombies have have been used as a metaphor for the blind consumerism created by our capitalist society, or the perceived depletion of resources by immigrants, or even the ravages of time and disease on our frail bodies. Now it seems that the deeper social commentary has been lost as audiences mindlessly consume "zombie fiction" in an attempt to keep up with trends. ( How very meta - a film buddy of mine commented on this assessment! ) All of this is just a sideways rant, leading up to my actual point: it seems that zombie may actually...

Mother!

Alright friends and readers–this one is probably doubly filled with typos and grammar errors because I wrote it while angry. Good luck and happy reading. There are unpopular opinions in every realm. As a film student, you can truly strike a nerve when you say things like, "I fucking hate the self-indulgence of independent films and the way people idolize them." Or, you know, "Low lighting and slow pacing does not a good movie make." Or whatever. You can of course, objectively, understand how this happens. When you are creating art–when you are outside the system  so to speak–you are free to explore things (subjects, techniques, etc.) that may need to be addressed and that freedom can become intoxicating and go to one's head. While it may seem only right  or only fair  to respect and accept each creative endeavor that every artist undertakes, it is unreasonable to believe that the world will remain forever patient with the self-obsession artists have. Th...

The Babadook

Spoilers and typos! Enjoy. We often look back nostalgically on childhood, envious of the joy we felt and the boundless imaginations we possessed. How conveniently we forget the other side of that coin: as children, we experience a depth of terror our adult selves continually try to recreate for cathartic entertainment. When we try to bring those childhood fears to life on the screen, we often end up with movies about "things that go bump in the night," which is a somewhat superficial approach. While it does provide an opportunity for a supernatural experience, it ignores the root of our fear: the unknown . As children, we lack life experience. We lack nuance. We lack understanding. Not knowing creates in us fear. Yes, we fear what lurks in the darkness but we also fear the adult world because we do not understand how it works. The Babadook works to exploit both  those fears. The short story: a widowed mother of a young boy experiences a mental breakdown and tries to...