Skip to main content

Antiviral

There's something weird about Canada. It's not that they speak French or wear plaid. It's not even their freezing cold winters or their socialized health care. On second thought, their socialized health care may actually have something to do with it.

Take a look back at "Death Takes A Holiday, Sort Of" where Vickie Goldberg examines the "nearness of death to life" and how that affects the portrayal of death in media; the gist being that a lower mortality rate in life means a higher mortality rate in media. Perhaps available health care for Canadian citizens has bred the wealth of extreme body-horror movies that Canada produces.

Let me segue from that thought into today's movie adventure: Antiviral. Written and directed by Brandon Cronenberg (son of the legendary David Cronenberg). The movie fared well on the festival circuit but hasn't quite reach the popularity of any of his father's works. (And I'm sure that's an unfair comparison that he'll have to live with forever...)

I have to admit that I went into this movie with very high expectations; I'd read a great article about it in Rue Morgue a while back and I love (many) of Cronenberg's films so I wanted this movie to be nothing short of grotesque. Like, vomit-inducing.

The long and short of it is as follows:

The visual aesthetic starts in a stark, clinical landscape and contrasts that with a dirty, almost post apocalyptic look (like that of Demolition Man.) The emotional aesthetic is a nearly cringe-worthy blend of sensuality and disgust.

I kept waiting for something truly horrific to happen but it never did. Every step of the way I would say to myself, "it's coming. Something truly gross is going to happen now." 30 minutes, nothing disgusting yet. 45 minutes, nothing.

... ::sigh::

What it does have is copious amounts of blood, lots of injections, and no small amount of herpes. Yes, herpes. And a bit of the melding of human and machine (a la Videodrome or Nightmare on Elm Street 5.) And why this flesh meets machine mix? It's calling out technology as the catalyst for our cultural manias, or making it the scapegoat for our emotional disconnection from human elements.

Overall, the story felt like something Chuck Palahniuk wrote with a few shades of Repo Men (another Canadian film!) mixed in. With a strong focus on the nature of obsession (some mutated version of passion and fascination) and equal parts embracing sickness and portraying it as abhorrent, Antiviral mirrors our need to embrace and reject our mortality.

Yup. Definitely the son of the godfather of body horror.

But he also calls into question our ability to love in any traditional way. The nature of collecting, particularly in this movie, is truly self-fulfilling; an ego-stroking way to prove your devotion to someone without having to actually have a relationship with them wherein you recognize their needs and wants and feelings.

And the main character was developed in a shadowy way so that you can't really identify his motives; probably not money. Perhaps the same obsession that drives the "masses" in the movie. Maybe it's simple masochism. And really, do we care?

Wrap up time.
Antiviral is a quiet, understated, meditation on desire and addiction while still shouting loudly about the absurdity of how we create and treat celebrities.

I 90% enjoyed it and may even watch it a second time.

You can watch the Antiviral trailer here:

Comments

Popular posts from this blog

Rebuttal: 17 Disturbing Horror Movies You Will Never Watch Again

When I'm not watching movies, I'm reading about movies. I stumble across all kinds of articles, blog posts, book excerpts, etc. in my quest to absorb as much movie knowledge as possible. Now, I'm snotty and loud-mouthed and opinionated but I'd never begrudge another human their opinion. Seriously. You're absolutely welcome to have any opinion about any thing you want. However, I must warn you, if I think your opinion is stupid, I'm absolutely going to say so. I've recently stumbled on an article completely  brimming with so many idiotic opinions that I'm actually compelled to craft a response. Here's the gist of the original article: there are some horror movies out there that are so disturbing , you'll only ever want to watch them once. I've have taken her original list and refuted her claims without pulling her entire article over. You can read the original article here . Let's start at the beginning, with her opening statement

Escape From Tomorrow

I love creative people who are willing to take risks with their art. I appreciate the refusal to do things by the rules. I'm also terribly impatient with mediocrity. Enter  Escape From Tomorrow . Created by a team of rogue filmmakers, the movie was shot in the video mode of high-end still cameras. Actors shared scripts and shooting locations across their smartphones. Shot on location at Disney World, the parks were completely unaware this was all going on right under their mouse ears. I wanted to love Escape From Tomorrow. More than that, I wanted to be completely taken with its ingenuity and creativity and - oh yes - its originality. And there is really a simple brilliance to their covert plan; all families are roaming around the parks, taking videos and chatting on their phones. Just blend the fuck in, act like you belong, and you won't get caught. Too bad the movie can be summed up as: ambitious but Rubbish. As you can imagine (or possibly know), there was a ton of con

The Witch (2015)

You know the drill - there's ALWAYS spoilers. Don't want the movie ruined for you, come back after you've seen it. Also - I'm still without an editor - typos and bad grammar await you! I keep hoping that the cultural obsession with zombies will end; literally every other damn movie that comes 'round seems to feature some sort of shambling, undead being bent on devouring the weak flesh of regular humans. Once upon a time, zombies have have been used as a metaphor for the blind consumerism created by our capitalist society, or the perceived depletion of resources by immigrants, or even the ravages of time and disease on our frail bodies. Now it seems that the deeper social commentary has been lost as audiences mindlessly consume "zombie fiction" in an attempt to keep up with trends. ( How very meta - a film buddy of mine commented on this assessment! ) All of this is just a sideways rant, leading up to my actual point: it seems that zombie may actually