Skip to main content

Gallows Hill (The Damned) 2013

Being a bit of a Twilight Zone nerd, I've watched all of the episodes many - MANY - times. This has the strange effect of giving me "known" plots to stumble over on my movie watching travels.

Gallows Hill is a movie length version of episode 41, The Howling Man. For those of you who haven't seen it, the story goes like this:

A man on a walking trip becomes lost and during a sudden rain storm, wanders into a nearby castle. Instead of being welcomed by friendly natives, he is told to leave immediately. On his way back out the door, he collapses. When he wakes, he hears a terrible howl and (stupidly) goes to investigate. He discovers a bedraggled man in a cell who claims to be a prisoner of an insane religious order. Said leader (Brother Jerome) later explains that the prisoner is not a man, but rather the devil himself. Convinced that Jerome is insane, our traveler waits until his guard falls asleep, creeps down to the cell, and releases the prisoner. As he walks toward the exit, he begins to change, taking on the appearance of the devil with each step before departing the castle in a plume of smoke. Our traveler embarks on a new journey to try and recapture the devil.

Gallows Hill presents us with a family traveling in Columbia. During a flash flood they attempt to take refuge in an old inn where the creepy old innkeeper tries to shoo them away. Not taking no for an answer, they plead for entrance and he finally agrees. Once inside, he asks them NOT TO WANDER AROUND which, of course means that they immediately split up and begin wandering around. Through a vent in the floor, the daughter hears a little girl begging for help. They head to the basement to investigate and discover a young girl locked in a cell. She begs to be let free. As they try to get her out, the innkeeper bursts in, begging them to keep her locked up. They knock him out, set her free, and bad shit begins to happen.

The freed girl very quickly shows her true colors: first she impersonally molests the teenage daughter, then she confronts another women in the group telling her secrets about herself. Then people start to die. The "evil" inside the girl "jumps" to another body when she is killed. This is right about when it comes out that the "evil" is the spirit of a witch who is on a mission to kill all of the descendants of the families that killed her.

The plot offers absolutely no surprises - it's a linear trudge from the reveal to the climax. Even the body-jumping Fallen component isn't particularly surprising.

Aside from predictability, the movie also suffers from awful acting and some really bad casting. None of the actors look at all the ages they are supposed to be. When the college-age main character has dinner with her father for the first time, I thought she was kidding about the relationship.

I was also disappointed when I realized the potential for a great "evil child" movie had been replaced by a boring, body-jumping witch movie.

If you've got any sense, you'll skip this movie and just watch The Howling Man instead.

Watch The Howling Man here:


Watch the trailer for Gallows Hill here:

Comments

Popular posts from this blog

Rebuttal: 17 Disturbing Horror Movies You Will Never Watch Again

When I'm not watching movies, I'm reading about movies. I stumble across all kinds of articles, blog posts, book excerpts, etc. in my quest to absorb as much movie knowledge as possible. Now, I'm snotty and loud-mouthed and opinionated but I'd never begrudge another human their opinion. Seriously. You're absolutely welcome to have any opinion about any thing you want. However, I must warn you, if I think your opinion is stupid, I'm absolutely going to say so. I've recently stumbled on an article completely  brimming with so many idiotic opinions that I'm actually compelled to craft a response. Here's the gist of the original article: there are some horror movies out there that are so disturbing , you'll only ever want to watch them once. I've have taken her original list and refuted her claims without pulling her entire article over. You can read the original article here . Let's start at the beginning, with her opening statement...

Escape From Tomorrow

I love creative people who are willing to take risks with their art. I appreciate the refusal to do things by the rules. I'm also terribly impatient with mediocrity. Enter  Escape From Tomorrow . Created by a team of rogue filmmakers, the movie was shot in the video mode of high-end still cameras. Actors shared scripts and shooting locations across their smartphones. Shot on location at Disney World, the parks were completely unaware this was all going on right under their mouse ears. I wanted to love Escape From Tomorrow. More than that, I wanted to be completely taken with its ingenuity and creativity and - oh yes - its originality. And there is really a simple brilliance to their covert plan; all families are roaming around the parks, taking videos and chatting on their phones. Just blend the fuck in, act like you belong, and you won't get caught. Too bad the movie can be summed up as: ambitious but Rubbish. As you can imagine (or possibly know), there was a ton of con...

Mother!

Alright friends and readers–this one is probably doubly filled with typos and grammar errors because I wrote it while angry. Good luck and happy reading. There are unpopular opinions in every realm. As a film student, you can truly strike a nerve when you say things like, "I fucking hate the self-indulgence of independent films and the way people idolize them." Or, you know, "Low lighting and slow pacing does not a good movie make." Or whatever. You can of course, objectively, understand how this happens. When you are creating art–when you are outside the system  so to speak–you are free to explore things (subjects, techniques, etc.) that may need to be addressed and that freedom can become intoxicating and go to one's head. While it may seem only right  or only fair  to respect and accept each creative endeavor that every artist undertakes, it is unreasonable to believe that the world will remain forever patient with the self-obsession artists have. Th...